Old letters and journals from a deceased relative

A calm decision tree after a death: pause, keep a small core, digitize the rest, donate what is historically significant. Archival specs and donation pathways.


By The Yourtale team · Published 24 May 2026 · 10 min read

Most articles on this question pick one of two extremes. Either every letter is sacred and should never leave the family, or the whole box should be sorted in a weekend so the estate can close. Neither is right for most readers.

The calmer answer is a five-branch decision tree, in this order: pause, keep, digitize, donate, release. The pause is the part most guides skip and the part that prevents almost every regret we hear about from families who moved too fast. The other four branches sort the actual material by how it should live on, if it should live on at all.

This piece is for the adult child or sibling or niece who has just inherited a box, or three, or a whole closet of paper. We will give you the order of operations, the storage specs the Library of Congress publishes for paper records, the names of institutions that accept donated letters and journals, and a plain-language rule for what is worth keeping in the first place.

Key takeaways

  • Pause first. Box everything in acid-free folders, store at 30 to 40 percent relative humidity and at or below room temperature, and give yourself months. The worst decisions happen in week one (Library of Congress).
  • Keep a small core. Identify the 5 to 20 items with the highest personal or family-historical value. Store them properly. That is the heirloom layer.
  • Digitize the working middle. Scan at 300 DPI on a flatbed, 600 DPI or more for faded or fragile items. Back up to cloud plus a local drive (National Archives).
  • Donate the historically significant. Letters touching a named place, movement, profession, or community belong in a repository. Start with state and local historical societies. For women's papers, the Schlesinger Library at Harvard Radcliffe accepts donations (Schlesinger Library). Use the Society of American Archivists' deed of gift guidance for the paperwork.
  • Release the rest, without guilt. Once the core is preserved and the significant material is donated or held by the right relative, the remaining paper can be let go.

Why the pause matters

The decisions families regret tend to share a date. They happen in the first ten days after the death, in the rush to clear a house, often by the one relative who lives nearest and got handed the keys. That is the worst possible moment to decide what to keep.

Letters and journals are not like the rest of the estate. They do not have a market value, so there is no obvious price tag to sort by. They do have a quiet historical and emotional weight that is hard to read in week one. Three months later you can tell which letters are remarkable and which are a routine note from a cousin in 1982. In week one, every envelope looks the same.

The pause does not need to be ornate. It is: put all the paper in archival storage, label the boxes by room or by person, and leave it alone for a season. The Library of Congress says good-quality paper in good conditions lasts hundreds of years (LoC). Three months in a cool closet costs nothing.

The conditions that matter are simple. Relative humidity between 30 and 40 percent. Temperature at or below normal room temperature. Out of direct light. Off the floor. Out of attics and basements. The Society of American Archivists and FamilySearch publish almost identical guidance on this (SAA; FamilySearch recommends below 75 degrees Fahrenheit and below 65 percent humidity as the outer bound).

A few other pause-time mechanics, all of them low effort:

That is the pause. It buys you the time to make the next four decisions calmly.

Keep: the small core

The first decision after the pause is which items to actually keep as physical heirlooms.

The honest answer is fewer than you think. A useful heuristic is 5 to 20 items per relative, where an item is one letter, one journal, or one bound set of correspondence. The reason for the small number is that a heirloom you can hold and read again has a different role than a digital scan. You will read the small core. You will not read three boxes.

Good candidates for the keep pile:

Less compelling, despite emotional pull:

Once selected, the small core goes into individual acid-free, lignin-free folders, inside an acid-free document box, in a metal filing cabinet or on the inside wall of a closet (Family Tree Magazine). This is the layer that should outlive you.

Digitize: the working middle

The bulk of the paper, whatever the keep pile did not absorb and whatever has not yet been ruled out for donation, should be digitized.

Digitizing serves three purposes. It preserves the content against loss of the original. It lets the family share without anyone having to ship the physical letter. And it lets you read and search material that would otherwise sit in a box.

The National Archives publishes a workflow for digitizing family papers (NARA). The practical version, for a home setup, is:

StepWhat to do
ScannerUse a flatbed scanner. Do not use a sheet-fed scanner for fragile originals. A modern multifunction printer with a flatbed bed is fine.
Resolution300 DPI minimum for typed or clearly legible handwriting. 600 DPI or more for faded ink, pencil, or small handwriting.
File formatTIFF for the master archive copy, JPEG for sharing copies. Some families skip the TIFF and only keep JPEG. That is acceptable for routine correspondence and not acceptable for the small core.
NamingA consistent file name with date and sender helps later. 1953-04-12_grandma_to_dad.jpg is more useful than IMG_3247.jpg.
BackupTwo copies in two places. One cloud (Google Drive, iCloud, Dropbox), one local drive. Three copies if you can.

Time to budget: about one to three hours per fifty letters once the workflow is set up. A box of correspondence is therefore an afternoon, not a weekend. If you have ten boxes, that is a real time commitment and worth either paying for or splitting across relatives.

Paid digitization services exist and range from $0.50 to $3 per page. The case for paying is the same as the case for paying anyone to do anything: your time is finite and theirs is set up to do this. The case against is that you will see things during your own scanning that no service flags. Both are defensible.

Once digitized, the working middle can either stay boxed (cheaper) or be released. A reasonable rule is to keep the originals through the digitization season and decide later. Once the scans are confirmed backed up, the originals carry less weight.

Donate: the historically significant

Some letters and journals are not just family material. They are documentation of a community, a profession, a place, or a moment that a public archive will care about.

This is the branch that surprises most families. The reflex is to keep everything in the family or, failing that, to throw it out. There is a third option, and the institutions that accept this material are explicit about wanting more of it.

What makes a collection donatable:

The Society of American Archivists' donation brochure recommends starting with state or local historical societies and university special collections. They are the institutions most likely to want regional and community material, and their threshold for what counts as historically significant is lower than a national archive's.

A short, non-exhaustive list of institutions that accept donated personal papers:

If your material fits one of these, the next step is a short email or letter to the archivist with a description of the collection: roughly how much paper (in linear feet, or in number of boxes), the date range, the names involved, and a sentence on what makes it interesting. They will tell you yes, no, or "send a sample" within a few weeks.

If they say yes, the legal mechanic is a deed of gift, which transfers ownership and (usually) copyright. The Society of American Archivists publishes guidance on deeds of gift that covers the standard clauses. The archivist will draft it; you review and sign. There is no money in either direction in a typical donation.

Donating is permanent. Once signed, the material belongs to the archive. That is part of the point: it will be cataloged, preserved at conservation-grade conditions, and made available to researchers in perpetuity. The donor (often the heir, often you) is normally credited and may set a restriction on access for a period of years if the material includes living people or sensitive content.

Release: the rest

What is left after the keep, digitize, and donate branches is usually most of the paper. It is the bulk routine correspondence, the form letters, the duplicates, the holiday cards. It can be released without guilt.

"Release" means a few different things depending on what you are comfortable with. You can offer the items to other relatives (the descendants of the original sender often want a piece). You can shred for privacy if any of it includes financial or medical information. You can recycle. You can compost if the paper is non-glossy.

The reason this is the last branch, not the first, is that letting paper go before the keep and digitize steps is the move families regret. Letting it go after is straightforward.

A reading question that sits underneath all of this

There is one decision the decision tree does not make for you. Should you read the letters and journals in the first place.

What's Your Grief writes about this with more care than we will here. The short version is that reading private writing from a person who is no longer here to consent is not neutral. You will find things that were not meant for you. You will find loving things, frustrated things, things about you, things about other relatives that may change how you see them.

You can pause indefinitely on this. You can choose to read only the small core. You can have another relative read first and tell you what is in there. There is no obligation to read. The preservation and donation decisions can be made without reading the contents in depth.

What we recommend is reading the small core slowly, after the pause, with someone you trust, and stopping when it stops feeling right.

Where Yourtale fits

This article is not a sales pitch and we want to be straight about why we are writing it.

The work of preserving letters and journals is one half of the work of preserving a family's record. The other half is the relatives who are still here, whose stories are not on paper anywhere yet. Once the inherited paper is stabilized, scanned, and decisions made about what to keep and donate, the next question is usually about the living. Whose voice is going to be missing from the next box of letters because no one wrote them down.

We built Yourtale for that second half. The mechanic is a series of voice interviews with an AI interviewer, transcribed verbatim and turned into a printed hardcover memoir. It is the opposite end of the same instinct: stop the disappearing.

If you want to think about that next step, the how to record a parent's life story hub covers the trade between writing it yourself, hiring a ghostwriter, and using the AI interview path. The how to preserve a parent's voice in a book piece covers what is gained and what is lost in each.

If you are dealing with letters from a parent who is still alive, the how to interview your grandparents before it is too late piece is closer to where to start.

Frequently asked questions

What is the right humidity and temperature for storing old letters at home?

Between 30 and 40 percent relative humidity, at or below normal room temperature, out of direct light (Library of Congress). FamilySearch recommends below 75 degrees Fahrenheit and below 65 percent humidity as the outer bound that still works at home (FamilySearch). Attics and basements fail both conditions in most houses and are the two worst places for paper.

Should I remove staples, paper clips, and rubber bands?

Yes, gently. Metal fasteners rust into paper over decades and the staining is permanent. Rubber bands compress paper and eventually fuse to it. Unfold letters that have been folded for years, but do not flatten them in a single press; let them rest open under light weight if needed.

What resolution should I scan letters at?

300 DPI is the working minimum for typed or clearly legible handwriting (National Archives). For faded ink, pencil, or unusually small handwriting, scan at 600 DPI or higher. Use a flatbed scanner. Sheet-fed scanners can damage fragile originals and are not appropriate for anything more than fifty years old.

Where can I donate letters and journals from a deceased relative?

Start with your state or local historical society and any nearby university special collections (Society of American Archivists). For papers from women, the Schlesinger Library at Harvard Radcliffe accepts donations from across the United States. For US veterans, the Veterans History Project at the Library of Congress accepts letters and diaries. The first contact is a short email describing the collection, the dates, and the names involved. The archivist will tell you whether they want it.

Do I lose ownership when I donate to an archive?

Yes, in most cases. The legal instrument is a deed of gift, which transfers both ownership and (usually) copyright to the institution (Society of American Archivists). The donor is credited and can usually set an access restriction for a period of years. The trade is that the material is preserved at conservation-grade conditions and available to researchers permanently, rather than living in your closet.

Should I read my deceased relative's journals?

That is your decision, not the decision tree's. Reading private writing without the writer's consent is not neutral; you will find things that were not meant for you. You can preserve and donate without reading. You can read only the small core. You can have another relative read first. There is no obligation either way. The grief-and-ethics question is covered well by What's Your Grief.

What if I just want to throw it all out?

It is your material and you can. The reason we recommend against doing it in week one is that the items you would have wanted to keep are unrecognizable to you in week one. The pause-and-stabilize step costs nothing, takes a season, and almost always reveals five or ten items worth keeping that would otherwise have been lost. After the pause, releasing the rest is straightforward.

How long does the whole process take?

A reasonable timeline is a season of pause (two to three months), a week of triage into the four buckets, then digitization spread across a month or two depending on volume. Donation, if you go that route, adds another month or two for the archival exchange. So roughly four to six months from inheritance to a closed file. Faster is possible. Slower is fine.

Where to go next

If letters and journals are part of a larger memoir project, the hub piece on recording a life story without writing covers the next decisions for the living relatives whose stories are not yet on paper.

If you are sorting more than just paper, 7 ways to digitize and preserve family memories puts letters, photos, audio, and the unrecorded stories into one honest order of operations.

If you want to see how an AI-conducted interview captures the voice of someone who is still here, join the waitlist and we will send the first session as soon as we open the next cohort.


Sources cited above

Old letters and journals from a deceased relative · Yourtale